Topic: Installation Art

Ten brightly colored textile works hung with clothespins on stacked clotheslines that form four rows across two adjacent walls.

A Pedagogy of Hope: Pagán and Pietri in Nitza Tufiño’s Tenderete

Teréz Iacovino

A wooden desk staged as a detective’s workstation: a vintage teal typewriter at right, a stand of pale-blue date-labeled file folders at center, and across the surface a yellow legal pad of handwritten notes, newspapers, round sunglasses, business cards printed with a WhatsApp number, and an open folder showing a flyer that reads “Looking for Witnesses! Dominican, do you consider yourself Black or Indio? Did migrating change your perspective?”

The Investigator’s Folder:
Curriculum as Form in Lizania Cruz’s The Investigation of the Dominican Racial Imaginary

Alex Feliciano Mejía

Two hospital beds form part of an art installation. A video monitor showing a patient telling their story rests on each bed. Behind the bed, a whiteboard displays handwritten notes about each patient’s illness.

Pepón Osorio’s Convalescence: Reimagining the Teaching Hospital

Megan Voeller

An all-white architectural maquette of a city park stands on a platform in a gallery with white walls and shelves with colorful sculptures visible in the background.

Between Punchline and Praxis: Chris E. Vargas’s Consciousness Razing

Stamatina Gregory

(Un) tethered Materiality: The Fabric of a Fraught Landscape

Olga U. Herrera

Made of Traces: Diasporic (Re)Assemblies in Terrestrial Bodies

Clara Maria Apostolatos

Round glass forms are suspended from a series of mobiles in a gallery. The forms vary in color and shape, including teal, blue, brown, black, and orange with colorful accents.

To Breathe Full and Free: Abstraction and Reprieve in María Magdalena Campos-Pons’ The Rise of the Butterflies

Kaillee Coleman

A jaguar statue sits atop a tri-fold display covered in black fur with framed black and white images to the right and left of a middle section that includes an assortment of books, human remains, and other objects dipped in blood and gold.

Genesis and Apocalypse in Raphael Montañez Ortiz’s The Memorial…

Néstor David Pastor López

Postcommodity and the Latinx-Indigenous Continuum: Epistemic Resistance through Material, Form, and Sound

Jeanette Degollado

Mother Water

Nathan Xavier Osorio