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  • About
    • Mission
    • Team
    • History
    • Press
  • Events
    • X as Intersection
    • Study Hall
  • Programs
    • Writing on Latinx Art
      • Previous CFPs
    • Latinx Artist Fellowship
    • Micro-Grants
      • Charla
      • CHISPA
      • Artist Mentorship Program
  • Contact
    • Newsletter
    • Email
Donate
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Home Essays U.S.-Mexico Border

Topic: U.S.-Mexico Border

AllAbolitionAbstractionAfro-LatinxartesaníaAssemblageBlack AtlanticBlacknessBorderlandsBuilt EnvironmentCaliforniaCapitalismCaribbeanCeramicsChicanx ArtColombiaColonialismCraftCuban American ArtDecolonialityDiasporaDisplacementDominican American ArtEcologiesEmbodimentEnvironmental JusticeExileFeminismFiber artFilmGender-Based ViolenceGentrificationHairIndigeneityInstallation ArtLaborMaterialityMemoryMigrant ImaginariesMigrationMixed MediaMultidisciplinary artNepantlaNew MexicoNicaraguaNueva YorkNuyorican ArtPaintingPerformancePhotographypostcolonialPrintmakingPublic ArtPuerto Rican ArtPuerto RicoQueernessSacredSalvadoran American ArtSan AntonioSculptureSonoran DesertSoundSpiritualityState ViolenceTexasU.S.-Mexico BorderWorldmaking

(Un) tethered Materiality: The Fabric of a Fraught Landscape

Olga U. Herrera
A large metal sculpture resembling a tree stands within a park. From the top of the tree hang seven hundred small sculptures representing the stories of community members.

Árbol de la Vida: Memorias y Voces de la Tierra

Liz Kim
Seven black baseball caps covered in shattered polarized glass are stacked on each other and hung vertically on a steel rod.

Presence in Absence: Verónica Gaona’s Spanning Worlds

Javier Arellano Vences

The Border Is Non-Binary: Leslie Martinez and the Fluidity of Form

Evan Garza

Table Remains: Sites of Discipline and Alternative Empathies, or an Invitation for Found Object Transformation

O.M. Comstock

Hilos and the Unraveling of Borders in the Work of Consuelo Jimenez Underwood

Gilda Posada
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