Skip to content

USLAF Logo

  • About
    • Mission
    • Team
    • History
    • Press
  • Events
    • X as Intersection
    • Study Hall
  • Programs
    • Writing on Latinx Art
      • Previous CFPs
    • Latinx Artist Fellowship
    • Micro-Grants
      • Charla
      • CHISPA
      • Artist Mentorship Program
  • Contact
    • Newsletter
    • Email
Donate
USLAF Logo
  • About
    • Mission
    • Team
    • History
    • Press
  • Events
    • X as Intersection
    • Study Hall
  • Programs
    • Writing on Latinx Art
      • Previous CFPs
    • Latinx Artist Fellowship
    • Micro-Grants
      • Charla
      • CHISPA
      • Artist Mentorship Program
  • Contact
    • Newsletter
    • Email
Donate
USLAF Logo
Home Essays Puerto Rican Art

Topic: Puerto Rican Art

AllAbolitionAbstractionAfro-LatinxartesaníaAssemblageBlack AtlanticBlacknessBorderlandsBuilt EnvironmentCaliforniaCapitalismCaribbeanCeramicsChicanx ArtColombiaColonialismCraftCuban American ArtDecolonialityDiasporaDisplacementDominican American ArtEcologiesEmbodimentEnvironmental JusticeExileFeminismFiber artFilmGender-Based ViolenceGentrificationHairIndigeneityInstallation ArtLaborMaterialityMemoryMigrant ImaginariesMigrationMixed MediaMultidisciplinary artNepantlaNew MexicoNicaraguaNueva YorkNuyorican ArtPaintingPerformancePhotographypostcolonialPrintmakingPublic ArtPuerto Rican ArtPuerto RicoQueernessSacredSalvadoran American ArtSan AntonioSculptureSonoran DesertSoundSpiritualityState ViolenceTexasU.S.-Mexico BorderWorldmaking
Two red Schwinn bicycles bearing American and Puerto Rican flags are connected by a shared back wheel and face opposing directions. They are positioned in front of a pale blue neon sign reading “Pa-lan-te”.

Riding in Place: Miguel Luciano’s Double Phantom/EntroP.R., (Un)tethered Diasporas, and Anti-Colonialism 

Anna Indych-López
A jaguar statue sits atop a tri-fold display covered in black fur with framed black and white images to the right and left of a middle section that includes an assortment of books, human remains, and other objects dipped in blood and gold.

Genesis and Apocalypse in Raphael Montañez Ortiz’s The Memorial…

Néstor David Pastor López

Casa-Isla/House-Island: Edra Soto’s Reimagining of Insularity

Elizabeth Mirabal 

Radical Occupation, Strategic Trespass: Candida Alvarez’s Painterly Disorientations

Matt Morris

Colonial Atmospheres: On Sofía Gallisá Muriente’s Celaje

Maria Zazzarino

Arteology as Living History: Diógenes Ballester’s Counternarratives to Coloniality

Carlos Rivera Santana

Turn away, towards, and unfurl: on the Work of Juan Sánchez

Alexandra Méndez García
USLAF Logo

US Latinx Art Forum, Inc. is a 501(c)3 nonprofit organization. Donations are tax-deductible. Federal Tax ID: 82-0698346

Copyright © 2026 - Designed by Cornershop Creative   Cornershop Creative logo