CHISPA
CHISPA is the second program under the umbrella of USLAF’s Mazorca Initiative. In this series of mini virtual studio visits, Latinx visual artists from a range of backgrounds were invited to record short videos responding to a set of prompts asking them to state their name and where they are currently based, choose an artwork to reflect on, and respond to the question, “What does the ‘X’ in Latinx art mean to me?” Like the chispa (spark) that inspires its name, CHISPA artists’ “hot takes” shed light on the issues that animate their respective practices and on the real-life and symbolic significance, possibilities, and limitations of the ‘X,’ underscoring the complexity and multifaceted nature of working and thriving as a Latinx artist in 2021.
CHISPA artists were nominated by USLAF’s external Mazorca advisory board, consisting of curators, artists, and academics from around the country.
Sarah Zapata
I grew up in Texas with an evangelical Christian mother and a Peruvian father: culture and religion were currency in my family. My Peruvian heritage brought me to textiles from a young age, but their malleability and historical context enabled me as an artist.
Francheska Alcántara
An Afro-Caribbean-Latinx-queer-person raised-by-their-grandmother and hailing from The Bronx, Francheska Alcántara explores slippages in-between memories, fragmentations and longing. Their aim is to explore the specific social meaning within the realm of domestic and public life of artifacts and interactions…
Wanda Raimundi-Ortiz
Victor Yañez-Lazcano
Dianna Frid
Dianna Frid is an artist working at the intersection of material texts and textiles. Her artist’s books and mixed-media works make visible the tactile manifestations of language. In her work, embroidery is a prominent vehicle for exploring the relationships between writing and drawing; and the overlaps of transcription, translation, and legibility.
Coralina Rodriguez Meyer
Raised queer in the rural South and Caribbean, Coralina Rodriguez Meyer is a mixed-race, indigenous Colombian American artist who translates domestic and structural violence into American heirlooms. Her Quipucamayoc role (Inka artist, architect, family planner & cultural historian) engages her community to perform their citizenship as a masterplan for surviving American colonial mythology.
Chelsea Ramirez
Alexander Hernandez
Koyoltzintli
Grounded in Indigenous ontologies, Latinx anthropology and Nepantla; I seek to understand the sonic and oral traditions that have populated the Americas for millenia as a way to repair, reclaim and reimagine temporalities of healing, tell stories across time/space and the body.
Verónica Gaona
Verónica Gaona (b. 1994) is an interdisciplinary artist from Brownsville, Texas, a city along the U.S. México border, living and working in Houston. Gaona investigates notions of migration, architecture, and death by conducting location-driven research across the Texas-México border landscape.