Skip to content

USLAF Logo

  • About
    • Mission
    • Team
    • History
    • Press
  • Programs
    • Latinx Artist Fellowship
    • X as Intersection
      • Conversations
      • Writing
        • Previous CFPs
    • Charla
    • CHISPA
    • Artist Mentorship Program
  • Contact
    • Newsletter
    • Email
Donate
USLAF Logo
  • About
    • Mission
    • Team
    • History
    • Press
  • Programs
    • Latinx Artist Fellowship
    • X as Intersection
      • Conversations
      • Writing
        • Previous CFPs
    • Charla
    • CHISPA
    • Artist Mentorship Program
  • Contact
    • Newsletter
    • Email
Donate
USLAF Logo
Home Essays

Essays

AllAbolitionAbstractionAfro-LatinxBlack AtlanticBlacknessBuilt EnvironmentCaliforniaCapitalismCaribbeanCeramicsChicanx ArtColombiaColonialismCraftCuban American ArtDecolonialityDiasporaDominican American ArtEcologiesEmbodimentEnvironmental JusticeExileFeminismFiber artFilmGentrificationIndigeneityInstallation ArtLaborMaterialityMemoryMigrant ImaginariesMigrationMixed MediaMultidisciplinary artNicaraguaNuyorican ArtPaintingPerformancePhotographyPrintmakingPublic ArtPuerto Rican ArtPuerto RicoQueernessSacredSalvadoran American ArtSculptureSoundSpiritualityState ViolenceU.S.-Mexico BorderWorldmaking

Table Remains: Sites of Discipline and Alternative Empathies, or an Invitation for Found Object Transformation

O.M. Comstock
A street vendor’s cart and a hand-held cart stand in front of a colorful wall displaying ads for wire transfer services and concert posters.

The Inheritance of Diligencias

Leslie Ureña

Bend’s Bends: Christina Fernandez’s De- and Re-Materialization of Memory

Amy Sara Carroll

Hilos and the Unraveling of Borders in the Work of Consuelo Jimenez Underwood

Gilda Posada
Photo shows Carmelita in drag as Pingalito character holding placemat with Map of Cuba.

Carmelita Tropicana: Recordar es Vivir

Alexandra Martinez
A structure resembling a restaurant that serves pizza is installed in a gallery, including menus and a register. On the walls of the installation are video screens.

Freedom Denied

Lille Allen

Diana Solís’s World-Traveling Creative Praxis

Erika Gisela Abad

Adriana Corral’s Sous Rature, “Under Erasure” (2016) and Unearthed: Desenterrado (2018)

Raquel Gutiérrez

Death & Ambition in Vincent Valdez’s Art

Jorge Eduardo Sibaja

Regarding Cuba in Coco Fusco’s To Live in June with Your Tongue Hanging Out

Luke Urbain
Prev
1 2 3 4
Next
USLAF Logo

US Latinx Art Forum, Inc. is a 501(c)3 nonprofit organization. Donations are tax-deductible. Federal Tax ID: 82-0698346

Copyright © 2026 - Designed by Cornershop Creative   Cornershop Creative logo