Genesis and Apocalypse in Raphael Montañez Ortiz’s “The Memorial…”
Néstor David Pastor López
Topic: Puerto Rican Art
AllAbolitionAbstractionAfro-LatinxBlacknessbuilt environmentCapitalismCaribbeanCeramicsChicanx ArtColonialismCraftCuban American ArtDecolonialityDiasporaDominican American ArtEcologiesEmbodimentExileFeminismFiber artFilmGentrificationIndigeneityInstallation ArtMemoryMigrationMixed MediaMultidisciplinary artNicaraguaNuyorican ArtPaintingPerformancePhotographyPrintmakingpublic artPuerto Rican ArtQueernessSacredSoundSpiritualityState ViolenceU.S.-Mexico Border
Casa-Isla/House-Island: Edra Soto’s Reimagining of Insularity
Elizabeth Mirabal
Radical Occupation, Strategic Trespass: Candida Alvarez’s Painterly Disorientations
Matt Morris
Colonial Atmospheres: On Sofía Gallisá Muriente’s Celaje
Maria Zazzarino
Arteology as Living History: Diógenes Ballester’s Counternarratives to Coloniality
Carlos Rivera Santana
Turn away, towards, and unfurl: on the Work of Juan Sánchez
Alexandra Méndez García