Bend’s Bends: Christina Fernandez’s De- and Re-Materialization of Memory
Amy Sara Carroll
Topic: Chicanx Art
AllAbolitionAbstractionAfro-LatinxBlack AtlanticBlacknessBuilt EnvironmentCaliforniaCapitalismCaribbeanCeramicsChicanx ArtColombiaColonialismCraftCuban American ArtDecolonialityDiasporaDominican American ArtEcologiesEmbodimentEnvironmental JusticeExileFeminismFiber artFilmGentrificationIndigeneityInstallation ArtLaborMaterialityMemoryMigrant ImaginariesMigrationMixed MediaMultidisciplinary artNicaraguaNuyorican ArtPaintingPerformancePhotographyPrintmakingPublic ArtPuerto Rican ArtPuerto RicoQueernessSacredSalvadoran American ArtSculptureSoundSpiritualityState ViolenceU.S.-Mexico BorderWorldmaking
Hilos and the Unraveling of Borders in the Work of Consuelo Jimenez Underwood
Gilda Posada
Freedom Denied
Lille Allen
Diana Solís’s World-Traveling Creative Praxis
Erika Gisela Abad
Adriana Corral’s Sous Rature, “Under Erasure” (2016) and Unearthed: Desenterrado (2018)
Raquel Gutiérrez
Death & Ambition in Vincent Valdez’s Art
Jorge Eduardo Sibaja
Two-Spirit Joy: Ester Hernandez’s Queer Portraiture
Claudia Zapata