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  • About
    • Mission
    • Team
    • History
    • Press
  • Programs
    • Latinx Artist Fellowship
    • X as Intersection
      • Conversations
      • Writing
        • Previous CFPs
    • Charla
    • CHISPA
    • Artist Mentorship Program
  • Contact
    • Newsletter
    • Email
Donate
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Home Essays Chicanx Art

Topic: Chicanx Art

AllAbolitionAbstractionAfro-LatinxBlacknessbuilt environmentCapitalismCaribbeanCeramicsChicanx ArtColonialismCraftCuban American ArtDecolonialityDiasporaDominican American ArtEcologiesEmbodimentExileFeminismFiber artFilmGentrificationIndigeneityInstallation ArtMemoryMigrationMixed MediaMultidisciplinary artNicaraguaNuyorican ArtPaintingPerformancePhotographyPrintmakingpublic artPuerto Rican ArtQueernessSacredSoundSpiritualityState ViolenceU.S.-Mexico Border

The Border Is Non-Binary: Leslie Martinez and the Fluidity of Form

Evan Garza

Postcommodity and the Latinx-Indigenous Continuum: Epistemic Resistance through Material, Form, and Sound

Jeanette Degollado

On the Maternal Archetype: Transformation and Transmutation in Delilah Montoya’s “La Malinche” and “La Guadalupana”

Emma Oslé

“Our Mother” Portable Mural: Yolanda M. López’s “Nuestra Madre” (1981-1988)

Gabriela Rodriguez-Gomez

Sonic Vibrations

Itzel Corona Aguilar

Mother Water

Nathan Xavier Osorio

The Supernatural Queer: Mystical Ecologies and the Experience of Being Body in Felipe Baeza’s Artistic Practice

Eduardo Carrera R.

Table Remains: Sites of Discipline and Alternative Empathies, or an Invitation for Found Object Transformation

O.M. Comstock

Bend’s Bends: Christina Fernandez’s De- and Re-Materialization of Memory

Amy Sara Carroll

Hilos and the Unraveling of Borders in the Work of Consuelo Jimenez Underwood

Gilda Posada
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