Topic: Chicanx Art
AllAbolitionAbstractionAfro-LatinxBlacknessbuilt environmentCapitalismCaribbeanCeramicsChicanx ArtColonialismCraftCuban American ArtDecolonialityDiasporaDominican American ArtEcologiesEmbodimentExileFeminismFiber artFilmGentrificationIndigeneityInstallation ArtMemoryMigrationMixed MediaMultidisciplinary artNicaraguaNuyorican ArtPaintingPerformancePhotographyPrintmakingpublic artPuerto Rican ArtQueernessSacredSoundSpiritualityState ViolenceU.S.-Mexico Border
Postcommodity and the Latinx-Indigenous Continuum: Epistemic Resistance through Material, Form, and Sound
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On the Maternal Archetype: Transformation and Transmutation in Delilah Montoya’s “La Malinche” and “La Guadalupana”
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“Our Mother” Portable Mural: Yolanda M. López’s “Nuestra Madre” (1981-1988)
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Sonic Vibrations
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Mother Water
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The Supernatural Queer: Mystical Ecologies and the Experience of Being Body in Felipe Baeza’s Artistic Practice
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Table Remains: Sites of Discipline and Alternative Empathies, or an Invitation for Found Object Transformation
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Bend’s Bends: Christina Fernandez’s De- and Re-Materialization of Memory
Read EssayBend’s Bends: Christina Fernandez’s De- and Re-Materialization of Memory