Latinx Artist Fellowship

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Nitza Tufiño

Multidisciplinary Artist, Painter, Printmaker, Muralist, Ceramist, Public Artist

South Orange, NJ

https://www.nitzatufino.com/

Instagram @nitzatufino

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The vibrancy of Mexican and Puerto Rican culture, its folklore, and iconic visual aesthetics inspire me to explore themes such as identity, community, and the power of storytelling. Through the exploration of colors, patterns, symbols, and images associated with their rich artistry, I am able to create a visual language that resonates with viewers and connects them to the richness of my culture.

Nitza Tufiño, born in 1949 in Mexico City, raised in San Juan, Puerto Rico, is a recognized muralist, public artist, printmaker and painter based in New York City and residing in South Orange, New Jersey. She obtained her B.F.A at the Academia San Carlos from the Universidad Autonoma in Mexico City and holds an M.S. in Urban Affairs from Hunter College, CUNY, having received a HUD Scholarship and considered an Urban Affairs HUD Fellow.

As a community activist and art educator she has helped found established community-based organizations and art institutions in New York City such as Loisaida, Inc., Taller Boricua, El Museo del Barrio, Friends of Puerto Rico, Cayman Gallery, Museum of Contemporary Hispanic Art (MOCHA), and saved MOCHA’s collection now at CUNY-Hostos Community College.

She has served as a consultant on Puerto Rican and Caribbean Art at the Brooklyn Museum and the Metropolitan Museum. As a public artist/muralist she has been commissioned by the East 3rd Street Music School in Manhattan, the NYC Board of Education, New York Metropolitan Transit Authority, New York City Health and Hospital Corporations, LaGuardia Community College, Trinity College in Hartford, Connecticut, and the Hospital for Special Care to develop and create murals for their institutions. She established the Muralism Program at Central Connecticut State University. She holds the distinction of being the first artist/muralist of color to receive two commissions from the MTA for the train stations on the #1 West 86th Street and the #6 East 103rd Street, paving the way for other artists/muralists of color.

She is the recipient of numerous awards and recognitions that include grants from the National Endowment for the Art, the Donald G. Sullivan Award from the Department of Urban Planning, Hunter College; Hans Spiegel Award for Urban Affairs, Hunter College; National Endowment in the Arts 1982, the Mid-Atlantic Endowment for the Arts Regional Award from the Mid-Atlantic Arts Foundation; the New York’s Foundation for the Arts Artist Fellowship; the Puerto Rican Legal Defense and Education Fund for Outstanding Contribution to the Arts Award in collaboration with Mayor David Dinkins of New York; New York City Council’s “Excellence in Arts” Award given by Council President, Andrew Stein, and the Manhattan Borough President’s Excellence and Outstanding Achievement Award given by Manhattan Borough President Ruth Messinger, Proclamation from the New York City Council and Hon. Rosie Mendez for Outstanding Public Artist and Outstanding Artist bestowed by the State of New York and Governor Andrew Cuomo in celebration of Puerto Rican Heritage Month with Comite Noviembre; and most recently “Outstanding Leadership in Art Community” from the Hispanic 100 Men organization; and recent “Lifetime Achievement Award 2025 for the National Puerto Rican Day Parade (NPRDP). She was the first female founding artist of Taller Boricua since 1969; and is presently the Director of the Rafael Tufiño Printmaking Workshop (RTPW) at Taller Boricua.

Selected Works

This is a large oil on canvas piece that approximates the scale of a mural. The painting is comprised of vignettes that speak to both Mexican and Puerto Rican culture and history. At the center of the painting is a group of six individuals of various ages and generations who look out at the viewer in the style of a family portrait. They stand on a pile of luggage and the eldest woman holds a piece of paper with a portrait of a face. On either side are references to Mexico and Puerto Rico, both in terms of landscape, and allegorical figures, as well as notable historical figures.
This portrait of the artist’s father, Rafael Tufiño, shows him leaning back against the couch reading a book against a soft blue background. He wears a brightly patterned yellow and blue shirt, a watch with a black strap, and glasses. The book, with a blank cover, is slightly torn at the edge.
This is a portrait of the artist’s great grandmother, Juanita Rodriguez. She is depicted with white hair and wearing a brown dress, standing in the center of the frame looking out toward the viewer. Her left hand pats the head of a small child on the right of the composition wearing a black and red checkered dress and a red bow. Bowls of fruit and food, a metal pot, a metal boat anchor, and a large hibiscus flower are at the base of the frame. The additional figures in the drawing reference sacred figures. There are two depictions of a Madonna and Child to the left and right of the central figures. Behind there is a prominent figure above a small detail of a brown ship with an elaborate white and red headpiece that is reminiscent of Taino imagery.